Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Matsumoto Yonesaburō in the role of Shosho of Kewaizaka, portrayed in 1794. Compared to many of Sharaku’s other half length depictions of female roles, this portrait is notably serene and restrained. The actor, only twenty one at the time, is rendered with clarity and youthful composure.
Sharaku avoids distortion and instead emphasizes the actor’s stage presence through subtle expression. The steady gaze and controlled mouth suggest inner resolve beneath outward elegance. The diagonal line of the smoking pipe in the left hand contributes structural balance to the composition.
The vivid costume heightens the visual impact. A crimson kimono patterned with hemp leaves contrasts with pale pink underlayers and a bright red juban revealed at the collar, while a broad black obi anchors the design. Through controlled color and composed gesture, Sharaku captures both theatrical refinement and youthful intensity.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
