Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Ichikawa Monnosuke III in the role of Date no Yosaku from Koi Nyōbō Somewake Tazuna, performed at the Kawarazaki Theater in May 1794. Yosaku, a loyal retainer who falls in love with the nursemaid Shigenoi, is subsequently disowned by his master, forming one of the emotional centers of the drama.
Sharaku presents Yosaku as a wagotoshi, a gentle and romantic male character type in kabuki. The inward tension of a man burdened by love and exile is conveyed through downcast eyes, restrained posture, and subtle gesture. Rather than overt drama, the portrait communicates quiet vulnerability.
The carefully balanced color scheme reinforces this psychological nuance. A wisteria purple outer robe overlays yellow and pale red garments, producing a refined yet slightly expressive harmony. Through controlled expression and measured chromatic contrast, Sharaku transforms a romantic stage figure into a deeply human presence.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
