Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Sakata Hangorō III in the role of Fujikawa Mizuemon from Hana Ayame Bunroku Soga, performed at the Miyakoza Theater in May 1794. Mizuemon is a notorious antagonist, long associated with villainous roles in kabuki repertoire.
Sharaku renders the figure with restrained yet concentrated force. The subdued wisteria toned kimono, framed by a black collar and deep green cuffs, creates a muted chromatic field that intensifies the facial expression. Through minimal color variation, the portrait achieves heightened dramatic presence.
The sharply protruding face and penetrating gaze dominate the composition. Lightly inked eyes contrast with the controlled use of sumi black, amplifying psychological tension rather than theatrical exaggeration. The portrait exemplifies Sharaku’s ability to distill villainy into formal clarity and concentrated presence.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
