Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Ichikawa Komazō III in the role of Shiga Daishichi from Katakiuchi Noriai Banashi, performed at the Kiriza Theater in May 1794. Shiga Daishichi is one of the principal antagonists of the drama, and the portrait exemplifies Sharaku’s concentrated treatment of villainous roles.
The composition is restrained yet forceful. The elongated face, prominent nose, squared jaw, and sharply defined eyes create an imposing presence. Crimson eye shadow intensifies the gaze, while the hand gripping the sword hilt from within the kimono adds contained tension. The figure’s stillness heightens psychological impact.
The predominantly black costume establishes a dense visual field, subtly offset by dark green lining and restrained red accents. Through minimal chromatic variation and disciplined line work, Sharaku transforms the theatrical mask of villainy into a stark study of character and presence.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
