Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Bandō Hikosaburō III in the role of Washizaka Sanai from Koi Nyōbō Somewake Tazuna, performed at the Kawarazaki Theater in May 1794. Sanai represents the virtuous counterpart within the domestic conflict that drives the drama.
Sharaku renders the actor with measured dignity. The clearly defined facial contours, arched eyelids, and steady gaze convey composure and moral resolve. The restrained posture reinforces the character’s integrity without resorting to theatrical exaggeration.
The composition balances Sanai’s left facing profile with the snow lantern held in his right hand, creating a stable visual symmetry. Deep purple robes contrasted with an orange shoulder garment form a rich palette, possibly evoking the nocturnal setting of the scene. Through controlled color and structural clarity, Sharaku transforms a stage role into a portrait of principled presence.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
