Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Ichikawa Yaozō III in the role of Tanabe Bunzō from Hana Ayame Bunroku Soga, performed at the Miyakoza Theater in May 1794. Bunzō, wounded and reduced to poverty, represents one of the play’s most tragic figures.
Sharaku conveys physical and emotional exhaustion through slouched posture, folded arms, drooping shoulders, and a slightly exposed neck. Disordered hair and vacant eyes reinforce the sense of resignation. The costume, associated with hardship, deepens the portrayal of destitution without theatrical exaggeration.
The restrained palette of black and deep red, accented subtly with green at the cuffs, intensifies the somber atmosphere. Through minimal color and concentrated line work, Sharaku transforms a stage role into a stark study of decline and endurance.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Faint soiling and a small thinned area consistent with age.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
