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"Ryuzo Arashi as Yakko Ukiyo Matabei and Otani Hiroji III as Yakko Tosa no Matabei" by Sharaku(1794-1795)
"Ryuzo Arashi as Yakko Ukiyo Matabei and Otani Hiroji III as Yakko Tosa no Matabei" by Sharaku(1794-1795)
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Signature: Toshusai Syaraku
Date: 1968
Condition: Good impression, vibrant colors, faint soling, small thinned area,
Japanese Woodblock Print,
Size: Print (31 x 21 cm), Backing sheet (41.5 x 30 cm)
All artworks are sold as seen on the picture.
This painting depicts the characters Yakko Ukiyo Matabei, portrayed by Ryuzo Arashi, and Yakko Tosa no Matabei, portrayed by Otani Hiroji III, from the kabuki play "Keisei Sanbon-gasa," which was performed at the Miyako-za Theater in July of the sixth year of the Kansei era (1794). In this play, the characters are retainers of different masters, with Yakko Matabei serving the virtuous character Nagoya-Sanza, and Yakko Tosa no Matabei serving the villainous character Fuwa Hansaemon. The contrast between good and evil is effectively conveyed through the portrayal of these two characters. This contrast is evident in various aspects, including their facial features, body proportions, arm positions, and the colors and styles of their clothing. Sharaku's skillful composition is showcased through the use of a full-length format, which allows the audience to view the actors from a unique perspective, looking up at them from below. As previously noted, Sharaku employs complex geometric arrangements, forming large and small triangles within the composition, creating a visually dynamic and stable structure. This painting is a prime example of his mastery in this regard and is considered one of his masterpieces from the second period of his career.
Date: 1968
Condition: Good impression, vibrant colors, faint soling, small thinned area,
Japanese Woodblock Print,
Size: Print (31 x 21 cm), Backing sheet (41.5 x 30 cm)
All artworks are sold as seen on the picture.
This painting depicts the characters Yakko Ukiyo Matabei, portrayed by Ryuzo Arashi, and Yakko Tosa no Matabei, portrayed by Otani Hiroji III, from the kabuki play "Keisei Sanbon-gasa," which was performed at the Miyako-za Theater in July of the sixth year of the Kansei era (1794). In this play, the characters are retainers of different masters, with Yakko Matabei serving the virtuous character Nagoya-Sanza, and Yakko Tosa no Matabei serving the villainous character Fuwa Hansaemon. The contrast between good and evil is effectively conveyed through the portrayal of these two characters. This contrast is evident in various aspects, including their facial features, body proportions, arm positions, and the colors and styles of their clothing. Sharaku's skillful composition is showcased through the use of a full-length format, which allows the audience to view the actors from a unique perspective, looking up at them from below. As previously noted, Sharaku employs complex geometric arrangements, forming large and small triangles within the composition, creating a visually dynamic and stable structure. This painting is a prime example of his mastery in this regard and is considered one of his masterpieces from the second period of his career.
The vivid and beautiful colors in this painting, characterized by the use of white mica (shiro-unmo) instead of black mica (kuro-unmo), are a deliberate choice typical of his second period works. This shift in color palette is a distinguishing feature of this period.
Ryuzo Arashi, as mentioned in the sixth distribution explanation, was known for his distinctive style, and Otani Hiroji III, a disciple of the second Hiroji, was praised for his charismatic performances and commanding presence on stage. He passed away at the age of fifty-seven in May of the second year of the Kyowa era (1802).
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