Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This print depicts Tanimura Torazō as Washizuka Yaheiji in a performance at the Kawarazakiza Theater in May 1794. Yaheiji is the brother of Washizuka Kandayū and appears as a supporting antagonist in the Yurugi family conflict.
Sharaku captures the specific character of a minor adversary rather than a grand villain. The expression is alert and slightly tense, with wide open eyes and a subtly clenched lower lip. Indigo blue kumadori lines and traces of beard emphasize the theatrical presence, while tonoko makeup gives density to the facial surface.
The deep purple kimono and black hakama reinforce the stage atmosphere. Though the role is secondary, Sharaku treats it with the same intensity found in his major portraits, transforming a supporting character into a psychologically vivid presence.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Faint soiling and small thinned area.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
