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Nakayama Tomisaburō as Miyagino
Nakayama Tomisaburō as Miyagino
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Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Nakayama Tomisaburō in the role of Miyagino from Katakiuchi Noriai Banashi, performed at the Kiriza Theater in May 1794. Miyagino, together with her sister Shinobu, seeks revenge against her brother’s enemy, forming the emotional core of the drama.
Tomisaburō was celebrated for a soft and pliant stage presence, qualities subtly rendered in this portrait. Sharaku captures the distinctive physiognomy of the actor through elongated facial proportions, gently raised brows, and restrained expression. The composed posture and delicately lifted hand convey controlled strength rather than overt theatrical exaggeration.
Despite the half length format, the portrait communicates not only character but performance style. The relaxed yet focused bearing evokes warmth and quiet resolve. Through measured detail in face, gesture, and stance, Sharaku transforms theatrical presence into enduring psychological portraiture.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Faint soiling and a small thinned area consistent with age.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
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