Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Iwai Hanshirō IV in the role of Menoto Shigenoi from Koi Nyōbō Somewake Tazuna, performed at the Kawarazaki Theater in May 1794. Shigenoi, a nursemaid of noble bearing, is a central female figure in the drama, caught between duty and maternal affection.
The portrait captures a poignant moment during her eastward journey, when she encounters her own child yet cannot reveal her identity due to her position. Sharaku conveys the emotional restraint of this scene through controlled posture and composed expression, embodying both dignity and suppressed sorrow.
The refined costume enhances the psychological depth of the image. A white kimono patterned with pale pink butterfly fans is paired with a crimson lining adorned with delicate motifs, balancing elegance with modesty. The gesture of holding a protective pouch further reinforces her status and inner strength. The work stands among Sharaku’s most accomplished portrayals of female roles, uniting theatrical presence with human emotion.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Faint soiling and staining consistent with age.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
