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Otani Oniji II as Yakko Edobei
Otani Oniji II as Yakko Edobei
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Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Otani Oniji II in the role of Yakko Edobei, from the play Koi Nyobo Somewake Tazuna, performed at the Kawarazaki Theater in Edo in May 1794. Sharaku presents the actor in a powerful half length composition that intensifies the dramatic presence of the character.
The figure is shown in a tense moment, arms extended and fingers sharply spread, creating a dynamic silhouette that conveys aggression and psychological intensity. The exaggerated facial features and penetrating gaze depart from the idealized conventions of contemporary actor prints.
Rather than flattering the performer, Sharaku emphasizes the raw force of theatrical expression. The bold design, close framing, and heightened gesture make this image one of the most iconic examples of Sharaku’s uncompromising vision.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Minor age related spots consistent with its age.
Details
Signature: Toshusai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 30 x 15 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Toshusai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
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