Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Sanokawa Ichimatsu III in the role of Onayo, the courtesan of Gionmachi, from Hanashobu Bunroku Soga, performed at the Miyakoza Theater in Edo in May 1794. Sharaku presents the actor in a striking half length composition that brings the intensity of kabuki performance into sharp focus.
The face is deliberately enlarged and sharply defined, departing from the softened femininity typical of actor prints of the period. Onayo is a female role performed by a male actor, and Sharaku emphasizes the tension between role and performer.
The elaborate costume signals the courtesan’s status, while the actor’s presence remains visible beneath the makeup. Rather than idealizing beauty, Sharaku captures the concentrated force of performance itself through bold composition and psychological intensity.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Minor age related spots consistent with its age.
Details
Signature: Toshusai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 30 x 15 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Toshusai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
