Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Bandō Mitsugorō II in the role of Ishii Genzō from Hana Ayame Bunroku Soga, performed at the Miyakoza Theater in May 1794. Genzō, the eldest son of the Ishii family, seeks vengeance against Fujikawa Mizuemon.
Unlike many of Sharaku’s half length portraits, this image conveys pronounced upper body movement. The flowing sideburns and forward inclination of the figure suggest imminent action. The tightly closed mouth and concentrated gaze intensify the sense of resolve.
The diagonal placement of the sword reinforces the dynamic rhythm of the composition. A restrained palette of black outer garment contrasted with the warm interior tones of the underlayer heightens visual tension without overwhelming the figure. Through controlled gesture and disciplined line work, Sharaku captures the charged moment before confrontation.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
