Sakata Hangorō III and Ichikawa Yaozō III
as Kosodate Kan'nonbō and Fuwa Banzaemon
Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Sakata Hangorō III as Kosodate Kan'nonbō and Ichikawa Yaozō III as Fuwa Banzaemon from Keisei Sambōgasa, performed at the Miyakoza Theater in July 1794. The composition exemplifies Sharaku’s mastery in capturing the formal beauty of kabuki stage poses.
The intertwined gestures of the two actors form a dynamic structural rhythm often described through the contrasting shapes of ku and he. Yaozō’s extended sword binds the composition, unifying the figures while intensifying dramatic tension. The image conveys theatrical vitality alongside precise compositional control.
Color further reinforces the contrast between the figures. Hangorō’s comparatively restrained palette stands against Yaozō’s more elaborate costume, including cloud motifs rooted in kabuki tradition. Through deliberate contrast in pose, color, and ornamentation, Sharaku achieves a composition of remarkable structural clarity and dramatic force.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
