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Ichikawa Omezō and Ōtani Oniji as Ikazuchi Tsurunosuke and Ukiyo Tsuchibei
Ichikawa Omezō and Ōtani Oniji as Ikazuchi Tsurunosuke and Ukiyo Tsuchibei
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Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Ichikawa Omezō as Ikazuchi Tsurunosuke and Ōtani Oniji as Ukiyo Tsuchibei from Nihonmatsu Michinoku Sodachi, performed at the Kawarazaki Theater in July 1794. The composition exemplifies Sharaku’s dynamic treatment of paired figures.
The two actors are sharply delineated within a framework structured by the crossing lines of four swords. This architectural arrangement intensifies the visual tension between the characters while maintaining compositional clarity. The contrast between hero and villain is expressed not only through costume but through posture and spatial orientation.
Ōtani Oniji’s bold, twisted stance contrasts with the poised elegance of Ichikawa Omezō. The deliberate opposition between forceful distortion and refined balance heightens the dramatic encounter. Through calculated contrast in gesture and structure, Sharaku achieves a composition that embodies both theatrical vitality and formal precision.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
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