Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Sawamura Sōjūrō III as Nagoya Sanzan and Segawa Kikunojō III as Keisei Katsuragi from Keisei Sanbon Gasa, performed at the Miyakoza Theater in July 1794. The print stands out within Sharaku’s first period for its exceptional vibrancy and decorative richness.
The brilliant palette is intensified by the white mica background, creating luminous contrast. The elaborate patterns of Sanzan’s kimono and the vivid pink garment of Katsuragi heighten the theatrical effect. A bold black motif placed centrally within Katsuragi’s costume stabilizes the composition, preventing excess while reinforcing visual balance.
Structurally, the composition is built upon a dominant triangular arrangement, further reinforced by smaller intersecting triangular forms. This geometric foundation, combined with refined spatial division, generates dynamism without sacrificing harmony. The work exemplifies Sharaku’s mastery of both color orchestration and compositional structure.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Faint soiling consistent with age.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
