Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Segawa Tomizaburō II in the role of Yadorigi, wife of Ogishi Kurando, from Hana Ayame Bunroku Soga, performed at the Toshiza Theater in May 1794. The character appears in a vivid and theatrical costume that contrasts strikingly with the actor’s facial features.
The vermilion kimono, decorated with red and white chrysanthemums against a dark ground, creates a bold visual presence. Tomizaburō’s long face and angular features are rendered without idealization, reflecting Sharaku’s refusal to conform to conventional notions of feminine beauty in actor prints.
Rather than harmonizing costume and physiognomy through beautification, Sharaku presents the actor as he appeared on stage. The result is not imbalance but theatrical truth. The portrait demonstrates Sharaku’s commitment to capturing performance and character over decorative refinement.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Faint soiling and a small thinned area consistent with age.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
