Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Ichikawa Ebizō in the role of Takemura Sadanojō from Koi Nyōbō Somewake Tazuna, performed at the Kawarazaki Theater in May 1794. The character appears at a pivotal moment early in the play, carrying the weight of impending tragedy.
Sadanojō, father of Menoto Shigenoi, prepares for seppuku after revealing the secrets of the Dōjō ji bell ritual. Though this scene marked a powerful dramatic episode in Edo kabuki, it is rarely staged today. The role was traditionally performed by leading actors, underscoring its emotional and theatrical significance.
Sharaku renders Ebizō with striking intensity. The raised brows, piercing eyes, and sharply contoured lines of the face create a presence that some may find unsettling. Yet this uncompromising realism reveals Sharaku’s determination to capture psychological truth rather than idealized beauty. The portrait stands as one of his most powerful explorations of character and theatrical presence.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Minor age related spots consistent with its age.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
