Scholarly Notes on This Ukiyo-e Print
This description is based on the original scholarly notes supervised by Yoshida Eiji, a leading authority on ukiyo e research and Sharaku studies, included with this print.
Each artwork is accompanied by a thin sheet of Japanese washi paper containing academic commentary in Japanese. For international collectors, we provide here a faithful English translation as part of the artwork’s documentation.
Artwork Description
This work depicts Segawa Kikunojō III in the role of Oshizu, the wife of Tanabe Bunzō, from Hanashōbu Bunroku Soga, performed at the Miyakoza Theater in May 1794. The character appears in quiet suffering, reflecting the hardship endured alongside her husband.
Oshizu is shown wearing a headband due to illness, a subtle yet powerful detail that deepens the emotional tone of the composition. Among Sharaku’s portrayals of female characters, this image is considered one of the finest, capturing both vulnerability and dignity through refined expression and gesture.
Sharaku employs a restrained yet striking palette, combining red and green in the undergarments, a favored pairing that enhances the harmony of the design while hinting at emotional intensity beneath outward calm. The composition reveals Sharaku’s sensitivity to psychological nuance and theatrical presence.
Edition
1968 woodblock reprint
Hand printed using traditional techniques
This is a mid 20th century reprint after Sharaku’s original 1794 design.
Condition
Good impression with vibrant colors.
Minor age related spots consistent with its age.
Details
Signature: Tōshūsai Sharaku
Date: 1968
Japanese Woodblock Print
Print size: 31 x 21 cm
Backing sheet: 41.5 x 30 cm
All artworks are sold as shown in the photographs.
About the Sharaku Series
Tōshūsai Sharaku was active for only ten months between 1794 and 1795. During this brief period, he created actor portraits that broke dramatically from convention.
Rather than idealizing his subjects, Sharaku revealed the psychological intensity of kabuki performance through bold composition and uncompromising vision.
This series presents carefully selected mid 20th century woodblock reprints, printed by hand using traditional methods, offering a renewed encounter with Sharaku’s revolutionary work.
